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Probably he has began her own music-sound experience still in prenatal condition, as well as who does music sincerely (he thinks so). Nevertheless, a long music "Curriculum Studiorum" and an adequate and multi-faces artistic work -- that it concretely begin, without never stop it, once 1979 and that space out in various music composition fields (contemporary opera; electronic music and instrumental and vocal experimental music; chamber, orchestral and choral music) and of the music interpretation and exegesis (contemporary works performance and "mise en scene" as well as "Kontakte" by Stockhausen, rather a few composers interviews -- Grisey, Rihm, Clementi -- and dedicated writings to contemporary music -- Schoenberg; Venice Biennale Musica -), bring her (in 2000) to be appointed teacher of Harmony, Counterpoint, Fugue and Composition by Italian University and Research Ministry -- MIUR ( http://www.miur.it/ ). From 1992 to today he has teaching in many Italian Music Conservatoire of Music and, actually, he is teacher of Harmony Counterpoint Fugue and Composition at Conservatoire of Music "Nino Rota" of Monopoli. On the level of the her own expressive evolution, he thinks particularly incisive her music theater (Opera) intense experience, as well as composer and art director of the "Poiein Artistic Research Group" (1979-1990), with a several operas production performed in Italy and abroad, amongst which: Nous, (1982/87), Metapherein (1983/86), Endon (1987/88), Prologo a Ljub-Ljub (1988), Pour Poe (1990). For her composition "Dedans", in 2006 he has won the absolute first prize at International Competition of Composition by Percussive Arts Society PAS-Italy and, in 2007, he has been prized by SIAE.